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Treating A Studio Start-To-Finish #5: Your Questions Answered real-world case studies

Over the past weeks Graham of Music City Acoustics and I have been showing you step-by-step how to treat a home studio.

If you’ve missed those episodes, check them out here.

And unsurprisingly, there were a TON of questions about the whole thing.

So we decided to do a follow-up Q&A...

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Treating A Studio Start-To-Finish #4: Do Membrane Traps Work? real-world case studies

Sub-bass control with resonance traps. The holy grail of studio acoustics.

When it comes down to it, the lowest of the lowest audio frequencies can really only be properly absorbed with targeted, tuned resonance absorbers.

For most of us DIY audio engineers, this tends to be outside the scope of...

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Treating A Studio Start-To-Finish #3: Does it actually work? real-world case studies

If you’ve been following my start-to-finish room treatment series with Graham from MusicCityAcoustics, I’m sure you’ve thought:

“Yeaaaah, that looks great ‘n all… But how well does it work?”

Well today we’re going to find out.

In this video...

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Treating A Studio Start-To-Finish #2: Panel Placement For Full Control real-world case studies

Last week Graham (from Music City Acoustics) and I started treating his new demo room by showing you in detail how to correctly place the desk and speakers.

This week, we are moving on to actually treating the room.

We’ll show you exactly how we placed acoustic panels and bass traps to...

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Treating A Studio Start-To-Finish #1: Desk And Speaker Placement real-world case studies

Have you noticed that there are actually surprisingly few videos online that walk you through the entire acoustic treatment of a home studio, step-by-step?

Starting with the empty room and the placement of the desk and speakers, all the way through planning, building and installing the...

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Case Study: Control down to 25Hz with porous absorption (with measurements) real-world case studies

One of the things you’ll hear repeated regularly if you go down the DIY bass trap rabbit hole is:

You can’t control bass with porous absorbers. You need resonance absorbers (membrane, Helmholtz, whatever). Period.

Well, I beg to differ. :D

As always, it’s not a matter of...

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Case Study: Low end treatment in an attic studio (with measurements) real-world case studies

As we’re setting up a new studio in our spare bedroom, basement or attic there’s often this nagging thought of:

“Man, is this really gonna work..?”

The room is SO small. The ceiling is SUPER low. And there are all these weird corners to deal with.

Is it even worth...

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Behind The Scenes: A full tour of my studio real-world case studies

I don't know how it is for you. But whenever I see people's videos on YouTube I wonder:

What's outside of the frame that you've chosen?

What dirty little secrets are you hiding that you don't want me to see?

I bet you have a junk corner with all sorts of interesting crap.

And it...

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Case Study: 80/20 acoustics in a small basement (measurements) real-world case studies

One thing that is REALLY hard to judge when you first dive into the endless pit that is studio acoustics:

How much treatment do you actually need?

And how much are you actually getting for your money?

Like.. how well can you actually expect it to work when you say, put 12 panels in your...

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Case Study: Bass trap control down to 40Hz (with measurements) real-world case studies

Have you ever wanted to see exactly how well bass traps work in the real world?

Like just how much the frequency response and the the decay of the room actually improves as you treat the room?

Well have I got a special video for you today!

The other day I jumped on a call with one of my...

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